It features countless and confusing explosions on the ground and in the air, like so many Lego sets exploding into millions of pieces, without showing enough heart at the centre of the film to emotionally animate it. Instead, as Jyn and Cassian scheme to steal the Death Star plans from the Empire, what director Gareth Edwards produces is a loud and busy war movie. ![]() Here, the comedy is flatter, the familiar story of generational guilt and idealism pitted against opportunism is less developed, and the tone is significantly darker in that last regard, Rogue One more closely resembles the excruciating Clone Wars trilogy of the 2000s, although it never embarrasses itself the way those flaccid movies did. But if its many purposeful borrowings and witty quotations often suffered by comparison to the original, they were at least handled with humour and panache. Last year, The Force Awakens, a sequel to the original trilogy, proved far too enamoured with the Star Wars legacy. Indeed, as Disney mines the golden franchise once more, there is a strong risk of steeply diminishing artistic rewards.
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